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Oct 17, 2023

Why Are We Seeing These Things Again? Hauntology, Fashion and Media

In the realm of fashion, the concept of Hauntology is rooted in philosophy and critical theory. It manifests as an exploration of the past while echoing the present. This exploration is not merely a trend but a deep-seated connection to history. It encapsulates the essence of nostalgia and the interplay of time in the world of aesthetics.

In the 2010s, the UK saw a nostalgic boom in a subculture titled "wavey garms." Based on a Facebook page selling niche streetwear from the 90s and 80s, it centred brands like Supreme and Stüssy, vintage Nike pieces or even archive Raf Simons. Hauntology in fashion draws its strength from a rich historical context, intertwining philosophical musings with a tangible expression. Designers, inspired by this concept, engage in a practice where the past resonates. From tradition, a new narrative thus emerges.

Beyond its philosophical roots, Hauntology in fashion holds profound cultural significance. It is a testament to a collective yearning for a tangible connection to history and authenticity. Consumers, seeking to transcend trends, embrace garments that embody a sense of timelessness. One example of this is ladcore or blokecore (taken from "lad" and "bloke," British slang for "dude"), a trending subculture style nostalgic for football culture of the 70s to early 2000s. This style has deep roots within British culture, with influences rooted in working-class everyday wear. Amusingly, there was a trend of suburban Americans on TikTok dressed this way. Creating an uncanny valley effect.

In the contemporary landscape, Hauntology finds a renewed resurgence as designers pivot towards UK-specific subcultures and media for inspiration. This shift is not a mere nod to the past but a deliberate act of reinterpretation. The influences of iconic subcultures, such as punk and mod, are woven into the fabric of current fashion, creating a dialogue between generations.

Examples of this can also be seen in music. Twenty-two-year-old PinkPantheress is an English singer and producer whose tracks, though rooted in 90s UKG (2-step garage) influences, sound like they could have been produced decades ago, often mixed with hints of 2000s emo. Her track "Boy's a Liar" with American rapper Ice Spice has since reached the USA's Billboard Hot 100, earning them a spot at number 3. A sound that until recently only held popularity in the UK has now garnered the interest of broader, more mainstream audiences.

The global impact of Hauntology in fashion cannot be overstated. Designers, irrespective of cultural background, draw inspiration from a shared well of nostalgia. The reinterpretation of past styles then transcends geographical boundaries.

Technological advancements and innovation play a pivotal role in shaping the Hauntological landscape of fashion. Digital platforms and social media propel the constant revisiting and remixing of past styles, providing a dynamic canvas for designers to weave the threads of history into contemporary creations. However, as with any profound shift in the fashion landscape, Hauntology is not without its challenges. Criticisms ranging from cultural appropriation to concerns about sustainability are some of the problems faced while reproducing this trend. Acknowledging these challenges is imperative in fostering a nuanced understanding of Hauntology's impact on the fashion industry.

Looking into the future, the evolution of Hauntology in fashion remains an open question. Will it continue to shape design sensibilities or will new directions emerge? As we navigate this ever-shifting terrain, one thing is certain: Hauntology in fashion invites us to reflect on the cyclical nature of trends and the enduring impact of the past on our sartorial present and future. It is not merely a trend it is a haunting reminder that aesthetic pasts are always present.

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